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“Plastic Off the Sofa” was never a song I disliked, but it wasn’t a song I found myself playing a great deal. This is probably a common thing for quite a few people and it’s understandable as to why. It’s the slowest song on the album. It’s the only lovey-dovey song on what is primarily bad bitch / hedonistic album. And it’s the least catchiest song on the album. But “Plastic Off the Sofa” is a really nice song, and I gained a new appreciation for it working on this mashup.
But the thing which really stuck out to me working on this mashup was how BeyoncĂ© places her vocals. This isn’t something you will catch just casually listening to the original song; but BeyoncĂ© doesn’t sing directly on beat, and this became very apparent when trying to line her vocals up with the music. I had to cut and shift absolutely everything by a second here, a milli second here, half a second there. What could have become really fucking annoying, become fascinating to me.
BeyoncĂ© has always had a really unique way in terms of how and where she places words on songs, ever since the days of Destiny’s Child from as early as “No, No, No”. Sometimes it’s noticeable, on songs such as “Nasty Girl” or “Check On It”. But a lot of the time it’s really subtle. It’s an interesting choice, but it’s one that works really well on “Plastic Off the Sofa”, because it adds to the softness of the song and also makes what BeyoncĂ© is singing feel more like a conversation than a need to be sharp on every beat.
BeyoncĂ© doesn’t get a lot of credit for her approaches to certain songs, which is kinda unfortunate. But also understandable, because there’s usually always some other more obvious element of a song which draws focus.
đź“… Mashup made in 2023